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The Only Thing With Wings

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It is interesting how you can be a somebody one place

and a nobody in another.

Interesting and frightening,

Because nothing you show for yourself is viable

in the nobody world.

In the Land of Nobody, nobody is awake.

They’re just stumbling numb, pan-handling

for the next thing to smash into that hole marked cozy.

And what they say about “just be yourself”

feels so forced here.

Like you’re having to take all that you

and stuff it through the mouth of a megaphone.

Like you’re having to take all that you

and cram it in the blowhole of a whale.

Like you’re having to take all that you

and stuff it into the cardboard tube

of a firework you’d buy at a corner stand in a desert in Arizona.

So when they get you, in that one chance you get,

they get too much.

And you don’t believe in too much.

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In this world you walk alone

and your friends are invisible

and you cocoon into your own skin

because your own skin is the only thing for miles that

looks anything like home.

Your skin says, “Stay put, I’ve got this.”

But something keeps trying to crawl out

and claw its way into …

into what exactly?

You question your skin’s appearance.

“Maybe I put it on backwards, today,” You say.

“Maybe I forgot to zip it up and my bones are showing

and my guts are leaking out.”

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This is what it sounds like to hear your own footsteps.

To be saying in your head, “Raise your right foot and now raise your left.”

This is what it feels like to have sweaty pits and sweaty palms and shifty eyes.

To spend hours trying to come up with something

worth discussing with words that aren’t sticky enough, and keep sliding off

slick, polished exteriors.

Polished to a shine.

And you don’t do shines.

You don’t do shines and you don’t do games and you don’t go knocking

on circles that are circumferenced with backs instead of fronts.

You don’t shoulder poke and you don’t carry a crow bar.

You’d just as soon walk the edge like a balance beam.

At least there is air over there to breathe.

At least there is space there to let your arms

unfurl.

At least, tossed to the curb, there is nothing to prove.

And they won’t come looking.

“Where’d everybody go? I looked behind me and they were gone.”

You laugh. You laugh and think “Yeah, tell me about it.”

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Remember that moment.

How it felt, with clammy skin

and a cramping abdomen

and your hair all full of life.

How it felt to let your knees go loose

and your head make contact with the back of the chair

and your eyes to close

and for the crawling and the clawing to stop

and for you to say,

in a whisper,

I am not going to be the one

to try anymore.

I quit.

Because this can’t matter.

I’m not the sort of person

that needs this to matter.

Can you hear the sound

of a mystery giving birth

to a mystery?

And in all that hatching,

uncertainty is the only thing

with wings.

Always closer than it appears.

Always.

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Don’t You Dare Change A Thing

I have on my yellow pants today.

Mustard yellow purchased at a thrift store

so that I could play the part of a girl from the 90′s.

And in the 90′s there was a girl with yellow pants,

Mustard yellow pants and perfect shining hair

That cradled her smooth complected chin like it was God’s hands

cupping his most favorite creation ever.

 

She didn’t just have yellow,

mustard yellow,

she had red and navy blue and probably green

because those were the days where color was celebrated

like those old Benetton adds with the faces lined up

telling us different was okay.

 

But different never felt okay in the 90′s.

So I tried to shove these hips,

these hips I was told one day in the computer lab

were good birthin’ hips,

I tried to shove them into yellow,

mustard yellow.

And I tried to get my hair to be smooth

because I wanted to be the most perfect creation

cupped in the hands of a God who wouldn’t ask me to be

less beautiful than I was.

 

 

I gambeled it all on a pair of yellow

mustard yellow pants,

and I walked down the halls and felt

like a giant crayon,

my thighs rubbing raw against the seams of a perfection

that wouldn’t hold me.

I thought the pants had betrayed me.

I thought God was asking me to do penance for the yellow,

mustard yellow

that had become my complete and utter focus.

 

I wanted the attention only smooth hair could win me,

so then with all eyes faced towards me,

I could show them how absolutely empty

is a life

that trusts in yellow,

mustard yellow to pave the way.

 

She was Dorothy. She was always Dorothy.

I was the witch, the one longing for striped leggings

but pressing myself into blue and white gingham

because I needed them to stop being ding dongs and realize

the wicked witch was not dead,

she was very much alive,

and not wicked at all.

 

 

Today I have on my yellow,

mustard yellow pants and every time I slip

my actual birthin’ hips into the seams

I hear a scream from my youth

a scream that says, “Thank you for redeeming

yellow, mustard yellow.

For I knew I was intoxicating enough to pull it off

if I could unlock eyes from all that perfection

and let the mess do the speaking

and the cupping

and the smoothing

for awhile.”

 

In my dreams last week they saw my yellow,

mustard yellow,

and they liked the way I wore it,

the seams cupping my hips

and they said, “Don’t you dare change a thing.”

 

Shifty

I know you don’t believe me.

I know you don’t believe me when I say

I touched the brick path with my red boots and they lit up, not yellow, but blue, and I found my way, striped socks and all.

 

I know you don’t believe me.

I know you don’t believe me when I say

I touched the shower tiles with my chipped fingernail polished fingers and the tiles gave way.

 

I know you don’t believe me.

I know you don’t believe me when I say

That Divination and Mysticism and Surrealism are as familiar to me as that woman named Candy with the blue eye shadow and the brown tooth, but I can’t ever say for sure where it was I first met any of them.

 

I know you don’t believe me.

I know you don’t believe me when I say

I collect secrets in my pillow case, secrets from the netherworld, and I speak back to them in burned pieces of paranormal journal ash carried on the wind.

I know you don’t believe me.

I know you don’t believe me when I say

My moments slide on a giant rubik’s cube frame, and when the square colors colide, rainbow sparks come out my ears.

 

I know you don’t believe me.

I know you don’t believe me when I say

The black scarf that nearly blew off of Dorothea’s head this morning as she rapped her keychain hard on the glass window

was the richest piece of life I’ve chewed on this week.

 

I know you don’t believe me.

I know you don’t believe me when I say

There is a postal truck somewhere between here and Maine that is carrying an envelope of echoes to me, and that postman’s hands are going to burn when he touches it.

I know you don’t believe me.

I know you don’t believe me when I say

The closet isn’t just a fling or an escape, it’s a Reality Laboratory where alchemic formulas involving X amount of reality always result in Y amounts of poetry and sometimes I’m Jekyll and sometimes I’m Hyde but I always love the luxury of not having to pick just one.

 

I know you don’t believe me.

I know you don’t believe me when I say

My body is split in half. One side is a brick and one side is a sponge. And the sponge has been used way more than the brick and the brick is getting jealous.

 

I know you don’t believe me.

I know you don’t believe me when I say

The plastic cups that lean sideways, one nesting inside the other, are cowards. Every last one of them tucked up in another just exactly like the next and it makes me nauseous.

 

I know you don’t believe me.

I know you don’t believe me when I say

When the old men scoot their chairs loudly across the floor I think it looks far more promising then that nervous woman who is always sliding plastic bottles of water across the counter. (I feel certain those men will live forever.)

I know you don’t believe me.

I know you don’t believe me when I say

I have a moon-charged salt crystal tucked into the folds of my detachment and this makes me the exact opposite of a walking solar-powered calculator.

It also means you want to get to know me and you don’t know why.

Come For Me

I watched

on the other side of the glass

an airy, spacious forest

with room between trees

to lie down, two by two, limbs extended.

 

I watched

on the other side of the glass

the parade of sleek leopard cubs

elegant and silky smooth,

their instincts foreign.

 

I watched

on the other side of the glass

the small girl with caramel skin and pink lips

skip alongside, barefoot,

native to the wild.

 

I watched

on the other side of the glass

as she ran fingers deep into fur

and bare-backed the wild

with the heir of a playful princess.

 

I watched

on the other side of the cold glass

pressing hard against it

leaving foggy clouds

with the heat of my exhales.

 

Scraping anxious, ancient fingerprints of longing into the fog, willing glass to shatter and the wild to come for me.

 

I watched

on the other side of the glass

my story

being played out in drumbeats

without me.

The Details

‘This is not the life I signed up for.”

She said it with

clenched teeth to hold back dragon breath,

squinted eyes to hold back lava tears,

fists tight to hold back futile gestures.

 

“Where is that paper with the details?”

She began

turning over the house,

taking one leftover project

after another

and heaving them towards the garbage can.

 

Dried up paints that meant well.

Why did everything always “mean well”?

Fragile flowers that dropped brown petals

with the slightest touch.

Piles upon piles of a dead woman’s colorful felt.

 

Artists are sick people, keeping gifts locked in boxes.

Flirting but never once going all the way.

“I am NOT a sick person,”

she hissed.

“I’ve just misplaced my certificate,

the one with the details.”

 

“Please, please don’t pat my back,”

she begged of them.

“And not my head either,”

she pleaded of them

For she’d been so well patted

her skin had become thick

and she so badly wanted to bleed.

 

She was the forgotten,

the one for which Pass-over

was not a reward, but an abandonment

a newly ushered in parliament

a sucking oxygen out of her environment.

 

She was the silenced,

the one who wore muzzles as a fashion statement

before she realized that they bruised her cheeks

and messed up her make-up

and set her heart to stuttering.

 

She was the trapped,

doomed to live out a series of choices

she had made while still asleep.

Counting the days off like a prison sentence

etching the stone wall in abhorrence

with tally marks in a cadence

made by broken fingernails.

 

But she was not broken.

She just had to find the document,

the one with the details.

 

So she kept searching.

Through a bookshelf of stories,

each one more frivolous than the volume before it.

They fell on her, pinned her to the ground with

unkept promises and false realties and

fantastical doorways in which every door was locked.

 

She closed her eyes and saw a field

with greener grass, and forbidden fruit, the kind she’d been warned about.

And the grass said, “Come.”

And the woman screamed, “I can’t, until I find my documentation,

the one with the details.”

 

 

 

 

Boxcar Artists – A poem for explorers

The train rumbles through

and I shift in my seat.

I could be jumping it,

riding it.

I could be hobo material

with red handkercheif

knotted to rough stick

carrying my belongings.

I feel that rumble

and it feels native, instinctual,

ancestral perhaps.

The voices of other artist gypsies

scream in train whistles

and I can’t translate quick enough.

How do we let go…

of housekeeping?

of house-dwelling?

How do we let go…

of desk jobs?

of cubicles?

of routines that beg for

maintaining

but which deny exploration?

How long do I pretend

that conventional is enough?

All the while the boxcar artists

give me hope

in the rumbles

in the whistles

that i am in fact on my way.

My own unique way.

Oh I Forgot. (A poem about circling back around from pride to humility)

Oh I forgot. I went and snatched it all in close again.

It’s easy to do that out here. Out here on the edge, where madness and greatness collide.

I sunk my fingernails in and said “This is mine and why should you have it, if it is mine?”

Eyes as slits, darting forth and back. Breath darkened down to jealous dissonant octaves.

Vibrations of my vocal chords shorting out the bulbs of light.

I heard my own voice whisper “my precious” like that cave and shadow-dwelling being, and I dripped with the slippery drops of my own fierce fury.

I am imprisoned by my own alone-ness in this greed.

It destroys me when I’m clutching.

God, oh God, though I have engraved my initials with the deep scratching of knife, I am aware now it is Yours, it is all Yours.

And because it is Yours and because You are love, it is ours.

All of ours.

Not just mine.

Free to all.

And if they found it some other way then by me, what elation that they found it at all.

Oh I forgot. I forgot.

Messy moist fingers release grip, and open wide

To failure’s lessons pouring in and trickling clean.

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