A few months ago my kids and I volunteered at an art festival in the Plaza District. Zoe made balloon animals, and the kids and I manned a table of one long sheet of white paper for kids to draw on with crayons outside The Society building.
I’d like to say that it was a powerful experience. That I felt validated in my artistry. That we were a glorious example of a creative family spreading a love for art to others. That we inspired someone.
Hardly.
It was hot that day. Like wicked hot. And my kids had head colds and maybe even a touch of a fever before the morning was over. Zoe didn’t even have a voice. Zoe my people-person, couldn’t even talk. Luther, my 3-year-old, but gosh, I guess he was 2 at the time, spent most of his time under the art table, the only cool spot, whining about how he was hungry and hot and when could we go home.
People came to our table and gave us a look like, crayons and paper? That’s it? You’re kidding right? You’re supposed to entertain us. Apparently crayons and paper don’t hold a kid’s attention anymore. And the parents, you would have thought I had asked them to sell their home and live on a park bench, the way they stared at me when I asked them to draw something. Only one adult drew the whole day.
I felt like a wanna-be artist that day. The real artists were in the building. In the studios. Maybe the real artists didn’t have kids. They had freedom. They smoked cigarettes and drew nudes and grew up making art and teaching art and being integrated in an artist community. The real artists were on the stage in the same parking lot with us, strumming their guitar and singing the songs they had written.
And then, something interesting happened. The eclectic guy on the stage, singing his songs with powerful lyrics, he paused. He paused and he came out of his performance bubble and he said, sarcastically, into the microphone in a half-whisper, almost like we were hearing his inner-dialogue, “Wow, big crowd here today. So many people to play my songs for. ” He chuckled nervously. For one split-second he was real and vulnerable, and I heard it. And then he went into another song. His lyrics were stellar. Was anyone hearing them?
His performance was followed by a girl songstress. She was a little less mellow, had some real energy and charisma. A real crowd pleaser and confident. She was confident.
During her performance one of the guys from The Society brought out some puppies he was fostering. Five puppies to be exact. 5 black puppies, each with a different colored collar. My kids went running to hold them and follow them. Others were pulled in by the puppies. Their attention diverted from songstress stage to wagging tails.
And then, something interesting happened. The eclectic girl on the stage, singing her songs with energetic chords, she paused. She paused and she came out of her performance bubble and she said, sarcastically, into the microphone in a half-whisper, almost like we were hearing her inner-dialogue, “Apparently the puppies are more exciting than my music. I am singing here people. Hard to compete with puppies.” She giggled nervously. For one split-second she was real and vulnerable, and I heard it. And then she went into another song. Her stage presence was stellar. Was anyone noticing her?
I left that day raw from the expectations that weren’t met. Raw from feeling like I was piece of sandpaper rubbing along the walls of the artistic community, scraping instead of breaking through. I left that day raw from a sense of failure that crayons and paper aren’t the tools that will free creative spirits, not even my own kids’ creative spirits, no matter how hard I try to sell them.
But I left that day hopeful, that maybe, just maybe, we’re all a bit nervous from time to time that what we have to offer isn’t enough. And we’re all a bit nervous that we aren’t going to break through the noise to draw attention to the message that burns within us. And we’re all a bit nervous that the crowd won’t have ears to hear or eyes to see. And maybe that’s just part of being an artist.
Sometimes we’ll blurt out sarcastically a half-whisper of our inner-dialogue into the microphone of life and then we’ll laugh our nervous vulnerable laugh and then with that out in the open, we’ll quick tune our guitar and just get on with our next song.










{ 17 comments… read them below or add one }
This is rich. I’m pretty amazed (and fascinated) that you could capture these insights from your experiences. I’ve learnt some lessons this morning
perhaps the greatest of them (for me, personally), and a timely reminder: For the artist..art isn’t a moment; it’s either life, or it’s nothing.
As I was reading, there was nothing ’seemingly’ artsy about your experience. But as I read on, I saw it..and more. Hmm, you’ve also reiterated that the artist would benefit from simply paying attention…
this is vulnerable. Thank you, Mandy
i so appreciate your thoughtful comments! i can tell your mind is spinning and you’re going to sprint away from here to go do crazy creative things.
Blurts. My journaling this week has revealed that blurts are both secret messages as well as healing removals of Before. Messages that reveal our vulnerable and ever-growing inner sparkle; {deeper} removals made possible by a sudden revelation of something {regrets; self-blame; prickly doubts} we were so certain was already gone.
Blurts. Random verbiage? I thought so … but I am reminded that everything happens for a reason. We simply must sit with it {the good, the bad and the ugly} … and await what it reveals {heals; inspires}. Or … we are free to run and play while we wait! Then come back all sticky with excitement and sit cross-legged, pressing in to see {more} … and to become more healed in the midst and even more inspired {equipped} for Next. ♥
There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom. ~Anais Nin
P.S. Beautifully stunning portrait, Mandy!
“Blurts…healing removals of Before…removals made possible by a sudden revelation of something {regrets; self-blame; prickly doubts} we were so certain was already gone.”
This is it EXACTLY. Thank you for sharing these words and helping me flesh out this post.
Love how you are able to continuously shift vulnerable from icky to healing.
Love how you are able to give me periods that I can place at the end of my sentences. Enabling me to move on … and to resist allow shiny things to distract me {without purpose}. ♥
Or “we” won’t sing for them at all…
Ha! Take that!
oh mandy, everything about this…
you:: are wildly, insanely beautiful.
and when you take your life like a box of cheerios and turn it upside down and shake, shake, shake, and your humanity tumbles out all over the kitchen floor and you chase it under the kitchen table and the stove and the fridge, you’re telling me that i don’t have to feel ashamed at the cheerios under my table and stove and fridge. that we can kick them around a bit and make art out of them. i get nervous too…i have this amazing art (commune)ity and my art looks like crap. i’d be the one scared to pick up a crayon. i feel like the girl in junior high who wants to hang out with the seniors. only, *my* seniors are crazy-amazing …they just make this out-of-the-world art that makes mine look like the scrawly ones moms hang on their fridge and secretly throw away on a stealth mission at night. so here’s my blurt. i’m sitting in your cheerios and blurting.
okay, when i read comments like this i think, oh dear, she just used all of her beautiful words on my blog when she could have written them on hers. so thank you. thank you so much for adding your voice into this conversation. we all benefit from it. and darling, you can come sit in my cheerios anytime you like, because there just aren’t too many who’d be brave enough to do so, or kind enough to agree with me that they are art. stay and blurt and make refrigerator worthy drawings with me all you want. i promise i won’t throw them away, because i see where each and every one is taking you. (you who paints lemony snicket paintings that make me want to jump into the canvas like mary poppins chalk drawings.)
I can relate to this. To your feeling of being on the outside while the “real” artists are on the inside. To the guy’s vulnerability when people were watching. To the girl’s vulnerability when people weren’t. Being on stage, on display, and the fear of being rejected.
I haven’t been on stage for some time now. I miss it. It was there I was the most vulnerable and present – the most alive, I guess. Whatever I did I had to go through with. If I didn’t take risks I had failed, because if I didn’t take risks people couldn’t connect. I know it’s the same with life in general, but it’s hard to live like it. Being intentional like that all the time. Living courageously and vulnerably. It’s a bit sad I only know how to do that on a stage. But I guess it’s a start.
it most certainly is a start. and the lessons start to transfer to life as you look for the connections.
this thing of vulnerability, you soul seeker, you.
you nailed it. i almost wept for the power you poured into these words. you, you life-giver, you.
a life-giver. thank you.
I especially loved: your hopes torn to shreds and then slowly sewn back together by the very sound of other rips around you. Wow. I love how beautifully you weave your reality…and ours.
(doubt I’ll ever forget about blurts and cheerios either!!)
your words are so poetic. shredded and sewn back together by the shreds of others. does this make us one big quilt?
i know, cheerios and blurts. excellent comments!
Ooooh I feel you on the pain of trying to get adults to participate, LOL! I’m a board-certified music therapist and it’s always such a challenge trying to convince typical adults to participate with clients. Some days, I just want to scream when I hear, “I can’t sing.” If you can talk, you can sing! If you can hold a crayon, you can draw a picture on a giant piece of paper, people!
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