The Only Thing With Wings

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It is interesting how you can be a somebody one place

and a nobody in another.

Interesting and frightening,

Because nothing you show for yourself is viable

in the nobody world.

In the Land of Nobody, nobody is awake.

They’re just stumbling numb, pan-handling

for the next thing to smash into that hole marked cozy.

And what they say about “just be yourself”

feels so forced here.

Like you’re having to take all that you

and stuff it through the mouth of a megaphone.

Like you’re having to take all that you

and cram it in the blowhole of a whale.

Like you’re having to take all that you

and stuff it into the cardboard tube

of a firework you’d buy at a corner stand in a desert in Arizona.

So when they get you, in that one chance you get,

they get too much.

And you don’t believe in too much.

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In this world you walk alone

and your friends are invisible

and you cocoon into your own skin

because your own skin is the only thing for miles that

looks anything like home.

Your skin says, “Stay put, I’ve got this.”

But something keeps trying to crawl out

and claw its way into …

into what exactly?

You question your skin’s appearance.

“Maybe I put it on backwards, today,” You say.

“Maybe I forgot to zip it up and my bones are showing

and my guts are leaking out.”

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This is what it sounds like to hear your own footsteps.

To be saying in your head, “Raise your right foot and now raise your left.”

This is what it feels like to have sweaty pits and sweaty palms and shifty eyes.

To spend hours trying to come up with something

worth discussing with words that aren’t sticky enough, and keep sliding off

slick, polished exteriors.

Polished to a shine.

And you don’t do shines.

You don’t do shines and you don’t do games and you don’t go knocking

on circles that are circumferenced with backs instead of fronts.

You don’t shoulder poke and you don’t carry a crow bar.

You’d just as soon walk the edge like a balance beam.

At least there is air over there to breathe.

At least there is space there to let your arms

unfurl.

At least, tossed to the curb, there is nothing to prove.

And they won’t come looking.

“Where’d everybody go? I looked behind me and they were gone.”

You laugh. You laugh and think “Yeah, tell me about it.”

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Remember that moment.

How it felt, with clammy skin

and a cramping abdomen

and your hair all full of life.

How it felt to let your knees go loose

and your head make contact with the back of the chair

and your eyes to close

and for the crawling and the clawing to stop

and for you to say,

in a whisper,

I am not going to be the one

to try anymore.

I quit.

Because this can’t matter.

I’m not the sort of person

that needs this to matter.

Can you hear the sound

of a mystery giving birth

to a mystery?

And in all that hatching,

uncertainty is the only thing

with wings.

Always closer than it appears.

Always.

* * *

TakeFlightTAJ★ As a community project, The Art Journaler Community subscribers are posting our discoveries and ponderings — and we are linking Taking Flight themed blog posts on a weekly basis using Mister Linky HERE. We’d love to have you join us. You can subscribe HERE.

 

Secret Message Society Zine Issue #2 is HERE!

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Mailing out #SMSZine #2 tomorrow. I am so excited about this issue. I packed it full! If you have no idea what I’m talking about, you can read about the Secret Message Society Zine and get signed-up HERE.

Thanks to your help, I was able to make my first month’s goal of 30 subscribers, and I’m so excited to continue to grow as we share secrets via snailmail. I’d love to see us get 50 subscribers by the end of June. If you’re moved by what you see, will you help me get the word out? (If you’re on Instagram, you could even win a #secretmessage by talking about the Zine. Details HERE.)

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I’m loving this month-long process of pouring gypsy journalism onto paper. In fact, when I was getting Issue #2 printed I wrote this:

Who weeps over getting copies made? Who feels the thump-thump-thump so loudly in their chest at the sighting of a few scattered words? Who wants to hug the office supply store clerk and say “oh god, I think I was made for this! Do you suppose I was made for this?” Me. Me and my #gypsyjournalism. I feel so alive.

It seems a month is a longer span of time than I realized and a lot of living and documenting occurs in this length of time. When I design a zine I do not have any sort of theme in mind, but themes seem to naturally occur in the ebbs and flows of life.

After looking through this issue, I’ve decided to unofficially call it: Lost and Found.

It also includes special artwork from Heather Mattern. (If you’re a subscriber, email me. now to get your art/words included in issue #3!)

I’ll hope you’ll decide to be a part of watching this gypsy journalism unfold. I’m doing my best to hold nothing back and let the creative process move as it wildly desires.

I leave you with sneak-peeks of the current issue. (I can’t give too much away! They are secrets after all.)  Subscribe HERE!

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I Don’t Know – A Case of the High-Highs and the Low-Lows

“Call your sorrow a disease or don’t. Take drugs or don’t. See a therapist or don’t. But whatever you do, when life drives you to your knees, which it is bound to do, which maybe it is meant to do, don’t settle for being sick in the brain. Remember that’s just a story. You can tell your own story about your discontents, and my guess is that it will be better than the one that the depression doctors have manufactured.”

-Gary Greenberg, Manufacturing Depression

“The real joy is knowing that if you felt the trouble in the story, your kingdom isn’t dead.”

“The thing I call ‘my mind’ seems to be a landlord that doesn’t really know its tenants.”

- Lynda Barry, What It Is

“Who weeps? Those who are living my dear.”

- Janae

“So it goes.”

- Kurt Vonnegut, Slaughterhouse-Five

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It was Mother’s Day. And I know it was perfect as far as those go.

Dead asleep and awoken gently by my kids and Tony bringing me fresh breakfast in bed. And art, so much art they had made for me.

I propped myself up on pillows and rubbed my eyes into awake mode. Tony took the kids and left the house to run a few errands. The windows were open in the bedroom and I could hear birds. It was a beautiful day.

Physically, I had not been feeling well, and had told Tony that despite his bike race that day, I’d rather stay home. I needed a day of rest. He said he’d catch a ride with a friend. He said they weren’t leaving until around noon, so the morning could be slow paced. This too sounded perfect.

I laid in bed for awhile. I read. I played on my phone. I sipped coffee. I felt like I was on top of things. “I’m so good at resting,” I told myself, but some other voice inside my head said, “You’re totally not relaxed, and you have no intent on doing so at all today.”

Uh-oh. That’s a voice to stifle. I refused to root around for her, pinpoint her and stare her in the eyes. Instead I ignored her. Passed over her like she was a ghost meant for someone else, just passing through. I pulled the down comforter closer and inhaled and exhaled deeply. “I’m fine. Everything is fine.”

My memory is unclear as to exactly how things unfolded, but I do know it was getting really close to the time for Tony to leave and I was trying to get dressed, when in a matter of minutes three of my kids came in my bedroom with various requests:

“Can I go in our neighbor’s house to play video games? We saved this spot we’re at in the game and…”

“If he gets to go into our neighbor’s house then so do I.”

“Well I didn’t get to go at all yesterday, so I should get to go instead of her.”

I cannot tell you for sure what occurred at this point inside of me, but it felt an awful lot like that voice I had mistaken as a “ghost meant for someone else,” suddenly took a firehose to the face of that sweet innocent, “I’m fine” woman that was just minutes ago curled up in the bed. And that sweet innocent woman who was “really good at resting,” suddenly thought she might rip her own hair out and throw it at her kids.

“Get out of my bedroom,” one of the voices said sternly to my children. Maybe it was the meditator, trying to break up the skirmish, trying to wrestle the firehose out of the ghost’s arms. “Nobody is going to our neighbor’s house,” the stern voice added, shutting the bedroom door.

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In times like these I often have the sense I am watching myself live from somewhere outside myself. I see the pulled hair. I see the wringing wrists, wringing so very hard. I see the sobbing and the walking in circles and the way I peek at myself in the mirror to see if I look as crazed as I feel. I see the strained neck with veins and vessels. I see the empty way I scan the clothes closet and think everything is ugly. Everything is wrong. The way the room feels like it doesn’t have anything to offer me anymore. Like it’s cardboard walls with picture frames drawn in sharpie marker, and I’m just some paper doll and those ugly clothes in my closet have ugly foldable tabs to keep the ugly clothes on my shoulders and my hips.

I see the awkwardly gaping, helpless mouth. I see me trying to yell, but hear no sound coming out, save a weak screech. I hear the repetitive words whispered rhythmically as if in so doing, they might soothe. “I need help. I need help. I need help,” they say. “Help like medication? Help like counseling? Help like a confessional booth?” another voice asks. And the voice replies “I don’t know, I’m just saying I need help because there is some other voice screaming at me saying, “”This isn’t normal. This isn’t normal. This isn’t normal” and “You’re not as strong as you tell yourself you are” and “You can’t let anyone know it gets this bad.”

But there is another voice that’s muffled, it’s far away, like the way you hear a voice when you are asleep and dreaming and someone is calling, trying to wake you. This voice says, “Everything about this is normal. Everything about this is okay. Everything about this will pass and return and pass again. Nothing about this determines how strong you are or aren’t. It just is what is. It’s just part of being you.”

I managed to get dressed. I managed to walk downstairs. I was shaking. I was looking for Tony. I had to tell him I needed help. I was also still outside myself, watching myself do all this. I saw myself get frantic when I couldn’t find him. I saw myself look at the clock. “It’s 11:30. What if he’s already gone?” I watched myself look in every room of the house. I watched myself check the garage and the back porch. I watched myself pick up a pillow as if he’d be hiding underneath it. I watched myself text him, “Where are you?”

I heard myself say, “Zoe, did Daddy already leave?”

I heard her reply, “I don’t know. Maybe.” And I saw how the nonchalantness of her response upset me even more.

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“I can’t do this. He’s already left, and I can’t do this – a whole day…alone,” I heard myself say, under my breath.

Then I heard his phone go off, receiving my text. His phone was still here. He must still be here too!

I opened the door to the front porch, and saw him sitting, journaling. My eyes sized up the table. A calm voice inside me noted the details: “Journal, french press, iPad with music playing. Why he’s having a lovely few minutes to himself before he leaves for his race. How funny that he has no idea the chaos that’s about to bump into him. Someone should warn him.”

And then it was me again. The crazy me that said between sobs, “I thought you’d left. I thought you were gone. I can’t be alone. I’m a mess. I can’t be alone today, and I thought you’d left.”

“I wouldn’t leave without saying goodbye. What’s wrong?”

“I don’t know. I have no idea,” I heard myself say those empty words that brought no closure, but were all my insides had to give. There was no logical reason.

“Is it just that you thought I had left? Did that scare you?”

The voices inside me climbed all over each other, begging to be the one chosen to give their verbal response:

“No! That’s stupid. Why would I be scared if you left? I’m a strong independent woman.”

“Yes, I was terrified. I can’t go on without you.”

“You know what, I’m fine really. This was all just a little mix-up. I’m fine now. Just wanted to see you before you left and say good luck.”

The one that spoke audibly was this one. “I think I need to come with you to the race. If there is any possible way we can make that happen, I think we all really need to come with you. I can’t stay here alone, with the kids, like this.” I was proud of that voice that came out. She was speaking up for herself, asking for what she needed, even if it wounded her pride. She was dignified in her chaos. Determined in the midst of her crazy. Unapologetic in her mess.

He stood and hugged me. He said, “Of course, that’s what we’ll do.” For the next few minutes there was motion all around me. My family racing to go the bathroom and grab toys for the car ride and pack lunches. I felt like I was standing still in the middle of it all, the cool wind of their motion hitting my face. I felt like they were holding their arms up and carrying me along to next like marching ants in cartoons carry watermelon slices and chicken drumsticks and cherry pies away from a picnic blanket.

Repeatedly on the trip I heard myself tell Tony thank you. “Thank you for making this happen. Thank you for not leaving me home alone. Thank you for pulling this off on such short notice.”

* * *

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The next morning the voices seemed quieter. I felt like I was in my own body instead of watching my own body from above.

“I’m trying to pretend like it was perfectly normal that I had a complete meltdown yesterday,” I said.

“It was,” Tony said.” I mean, it’s not something we’d want to have happen all the time, but we can manage when it comes.”

Later that evening, I sat in the dark on my bedroom floor my head in my hands and answered his “What’s wrong?” with another, “I don’t know.” A voice in my head said, “Now remember, you’ve already used up your one day of crazy quota. Time to pull yourself together. We wouldn’t want this to happen all the time.” Another voice said, “Shove it.” I took that “shove it” voice out to my car and I buckled her into the passenger seat. I threw all the other voices in the backseat, turned the keys in the ignition and went for a drive around the block a few times. I screamed the magic f-word. I cried. I beat my fists on the steering wheel and decided everything was meaningless, especially art and writing and everything that mattered to me. Then I parked the car back in my driveway, got out and went to bed. I’m not sure where the voices slept that night.

* * *

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The third day, I met my friend Teresa for lunch. I told her everything.

“You do know this is completely normal, right? You do know this is just part of the cycle, right? I mean, that’s what I do. I’m your friend, that sits here and tells you this is precisely how it goes every time. And it always feels like it’s the worse time ever. And it always feels like this time you’ve gone too far over the edge. And so we sit with people like Sylvia Plath and we sit for as long as it takes. Cause see, we have people like Sylvia to sit with, we have their words that make us feel less crazy. The Sylvias and the May Sartons and other voices like that. You sit with her and then at some point, suddenly the explosion of creativity comes again.”

And you’re off and using all that dark for something light.

That day, that third day while being with Teresa, I finally felt unlocked. Grays regained color. The walls of my home didn’t feel like cardboard anymore. My clothes seemed pretty and tab-free. I wasn’t scared to be alone with my kids. I thought it was pretty wonderful to get to be an artist and a writer and a mother.

But if you’d asked me what changed, what was the exact moment that things turned around, how precisely it was that I was able to finally will myself to “just get better,” I’m afraid the voice inside my head that I’d choose to respond is the one that’s saying, “I don’t know.” It’s the same voice that is saying calmly, “Why you’ve just got to ride it as long as it takes and trust where it’s taking you.”

 

 

 

 

 

 

 

This Day Cannot Suck

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I awoke this morning to the sound of the doorbell ringing. We do expect someone to do that every morning – our neighbor who usually joins us for breakfast and rides or bikes with us to school, but this was a good 30 minutes earlier than he usually comes.

“Do you think if I ignore him he’ll come back later or keep ringing the doorbell?” I asked Tony, who was groggy as well.

“I don’t know.”

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I sat up slowly, peeling my body from the sheets, remembering for a brief moment those days that I used to get up early, so I could be ready when the world started waking up around me. I’ll get back to those days, I thought, when it’s time.

I went into the bathroom and brushed my teeth. I noticed the doorbell wasn’t ringing anymore. So I slowed down. Then…

*Knock-knock-knock. Then another *ding-dong.

I walked to the door to find my neighbor’s older sister.

“I missed the bus. Would it be possible for you to take me to school?”

I thought:

This is the third or fourth time this has happened. I can be kind, but I am also wary. Am I being taken advantage of? Oh, what the hell.

“Yes,” I’ll be right out, I said, rubbing the muck from my eyes.

When I got back home, Tony asked me, “Where where you?”

“I took our neighbor to school. She missed the bus.” I paused and then added, “We had a really good conversation. Usually she’s one of many kids I’m yelling at in the neighborhood to stop doing something stupid, so it was actually nice to have some one-on-one time with her. She’s going to high school next year and she’s a little nervous.”

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* * *

Made kids breakfast. Put on Luther’s shoes. Ate my breakfast quickly. Wiped dripping egg off my chin with the sleeve of my sweatshirt as I walked out the door. Drove kids to school. Returned home. Listened to my mental list of to-dos:

Call the doctor. It’s time you felt better.

Get groceries before the refrigerator gets up-cycled into yet another bookshelf in our home.

Write. Remember what that feels like?

Yoga. Yeah right. That’ll take too much time.

Read. So many library books. So little time.

Laundry. Ah, it can wait.

Coffee. Nah, too much time considering the water having to boil and beans needing ground.

I felt defeated before I’d even begun. Then, out of nowhere, the mantra hit me. The mantra for today:

 

This day cannot suck. 

Why of course! Wasn’t it Suzanne that shared her art piece on Instagram that spoke to me yesterday: “Set the tone,” it said.

The tone of today is This day cannot suck.

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And here’s how it didn’t:

  • Shared my book cover and spun around in all the love and support that followed.
  • Uploaded 10 new custom #secretmessage designs to share
  • Witnessed the beauty of someone going through the process of writing out their incredibly achey story. Undone by the courage and vulnerability it’s taking her to do so.
  • Breathed my way through 30 minutes of yoga.
  • Washed my dreadlocks. Uh, it had been awhile.
  • Received a secret to beat all secrets. And no I’m not telling. Secrets are my life blood.
  • Watched Teresa launch something that will change and inspire people. You better believe I signed up. I have dreams that still need to see the light of day.
  • Asked for something I thought was ridiculous, thanks to Mandy’s prompting, and was told “yes.” No, even better, I was told, “As you wish.”
  • Used a Starbucks giftcard from Janae to buy an iced coffee to take with me while grocery shopping AND saw one of my favorite baristas with the black hair.
  • Got two new Secret Message Society Zine subscribers! Puts me over the moon every time.
  • Scheduled a doctor appointment for tomorrow. Big relief.
  • Picked wildflowers with Luther in the field by the grocery store and took them to our favorite check-out clerk. She tucked them behind her ear.
  • Ran into Brannon at the park, who I haven’t seen in a looooooong time. I really am still in shock that I saw him. Synchronicity at it’s finest. (Brannon is the one who helped me write my book proposal for my Thrashing Book.) Was seriously encouraged and inspired by that conversation. Could probably write a whole post just about that.
  • Heard the word prolific used three times today. That’s a sign.
  • Received a rainbow from my daughter.
  • Look at me, I’m writing. Right now!

And the day isn’t even over.

I do know this about my mantras. They usually have an expiration date. I’ll probably need a new one tomorrow. But it’ll find me.

Thrashing About With God – The Cover

My book has a cover! And I love it so much. It has a 70′s hippy feel, but it also reminds me of Alice In Wonderland and Tim Burton and the dark place I sort of fell in love with while writing this book.

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It was created by Nick. Thank you, Nick!

The book is available for pre-order now too, like at Barnes and Noble and Amazon, and probably other places.

I have no idea how this publishing thing works so I’m inching in slow, leaning in hard on my great agent and editor, but I’m so excited. So excited! And so thankful to all of you who have been a sounding board here for so much of my thrashing with God.

An Anthology of Babes – Book Review

“I almost never feel like I have ample time to indulge in my creative impulses and ideas. Nevertheless, I just keep making art anyway.”

- Lori Landau, An Anthology of Babes, p. 25

“I’d always sensed [my mom] had felt caged and yearned for a deeper connection to a more earthly spiritual god; something deemed holy yet outside of rules and ritual.”

- Monica Devine, An Anthology of Babes, p. 45

“The truth is I’m deeply tired. I haven’t felt fully rested since I became a mom…my mind is cluttered with…full-catastrophe living.”

- Lori Landau, An Anthology of Babes, p. 97

“Excuse the mess, but we live here…My sense of how to juggle everything is constantly changing.”

- Sarah Werthan Buttenwieser, An Anthology of Babes, p. 102

“We’ve crossed the threshold from all right to not all right…Everything bad and irresponsible I have ever done looms over me like a nasty bully in the alley of shame. Four days into motherhood and I am a complete failure.”

- Jenny Laird, An Anthology of Babes, p. 111

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Yesterday a mom asked me, “So how is it having lots of kids? I mean, I know you love them all, but are you glad you had so many?”

I looked at her, laughed, and then sober-faced I replied, “It’s hard.”

Recently, Suzi Banks Baum sent me a copy of An Anthology of Babes: 36 Women Give Motherhood a Voice. Suzi is the editor and collaborator for this book. She also writes for her own site Laundry Line Divine.

I finished reading this book the day before Mother’s Day, and thought it would be a timely chance to review it.

The cover has a sort of matte slick finish that feels delightful in my hands. It begins with an introduction about riding a bus with these 36 women who contributed essays and art for the book. The idea being that I get a chance to sit in a seat with each of the women, hearing their take on what it means to be maternal as well as partaking of their visual creations.

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Some of the women “I sat with on the bus” I connected better with than others. I wanted to hear more from certain moms and less from others, but as I read it all and stepped back to get an overarching view of the book, I came to appreciate that there are so many different voices, weighing in on so many different approaches to being a mom. This makes this book an inspiration to all women. And you know what else? Seeing this wide arching view of all the things that make up motherhood, why it makes me feel sane. It’s not an easy undertaking.

In the book you’ll find:

  • Moms that are concerned with nutrition and homesteading.
  • Moms that have regrets and moms that don’t.
  • Moms that didn’t birth children traditionally, but rather used their maternal instincts to birth books, art, and creativity in themselves and other women.
  • Moms with adopted children.
  • Single moms.
  • Moms of babies and moms of teenagers and moms of grandkids.
  • Moms that couldn’t survive without creating art.
  • Moms that found they needed to take a break from creating.
  • Moms that found deep friendship in connecting to other women.

Various other topics are touched on including beauty, loneliness, fear, time management, celebrations, sanity, death, family strife, faith, illness, art therapy, etc.

The essays are short, making this easily a book a tired or frazzled or busy mother could read a chapter from a day.

The majority of essays in this book touch on artistic expression and how mothers choose to weave this into their lives. There is beautiful black and white art scattered throughout the book. It’s the most profound book I’ve seen for Mother-Artists. It’s not a practical book with how-to’s as much as it is a book touching a raw nerve, that nerve that makes us Momma-Artists feel a little crazy as we walk the edge.

The book is raw and gritty, real women writing on the real messes and emotions that accompany being a mother.

There are biographies of each of the contributing artists/writers included, so if you particularly connect with a certain woman’s voice, you can find more she has created.

I think it would make a perfect gift for a baby shower. But it’s also the kind of book you send to the dear kindred mommas in your life when they feel like they’re losing themselves in the midst of mothering and longing for permission to artistically express their wavering emotions and the messiness of it all.

You can purchase the book HERE.

 

 

About May 15th!

The 15th is magic around here this week. Three things I want to share with you about that date:

 

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1. The Secret Message Society Zine Number Two goes to print. That means issue one will no longer be available. So if you want to get in on the inaugural issue, I have 4 copies left to meet my initial goal of 30 subscribers!

 

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2. I told you before about Fabian Kruse and his brilliant post on paradoxes. In that post he offers a coupon to get your own custom #secretmessage created by me. That coupon expires the 15th! So go get inspired at The Friendly Anarchist sometime in the next couple days and order your #secretmessage with the discount!

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3. My friend Hillary Rain is launching her brand new site on the 15th! Go visit her now to get signed up for her mailing list, so you’ll be informed about the big unveiling.

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